One of the great things about working at Replay Heaven is the opportunities it affords to work with the greatest legends in the industry, and also the kings of the underground. This track ticks both boxes.

We also did the sample replay for this:

This all start summer banger is based around Replay Heaven’s replaying of the iconic synth riff from Stromae’s “Alors On Danse”.

Ahaaa! Back to the good old days when you can have a hit with a Replay Heaven replay of an entire disco track with your own drums added! 🙂

Here’s one of our favourite projects we’ve worked on recently – not one – but 2 versions of Enny’s amazing “Peng Black Girls” one using an Angie Stone sample and one using a Jeff Lorber sample, both replayed by Replay Heaven:

One of the biggest tracks in the world in 2019 – and those vocals? Replayed by Replay Heaven…

One of many replays we have done for the great Pusha T, now with a Lauryn Hill feature too!

A wonderful who’s who of rap here, all running over a cool groove of a Michael Wycoff sample replayed by Replay Heaven…

Replay Heaven developed this cover of Animotion Obsession for Rimmel’s TV campaign.

Replay Heaven have worked extensively with The Chemical Brothers on their 2019 album No Geography but nowhere to more exciting effect than on the track We’ve Got To Try. I think this is a great example of the creative opportunities offered by using a replay rather than the original sample, as Tom was able to solo elements like the vocals and strings in the mix as we provided everything as stems. We also were able to sing new original material that wasn’t in the sample, but matches up with the sample sonically.

Replay Heaven has worked on several Kanye West tracks over the years, but you never know if they are going to make it to release as it is quite common for Kanye to totally overhaul an album, even very close to release date, swapping round which tracks make it onto the album. However for 2018’s “Ye”, an album which itself was made in a flurry of activity very near to release, the Replay Heaven team of Hal Ritson, Richard Adlam and guitarist Rob Harris, on preparing instrumental parts for the track “Ghost Town”. Though the track is based on a sample (Vanilla Fudge’s version of “Take me for a little while”) by getting the sample replay team to super accurately recreate all the instrumental parts of the sample, with authentic vintage equipment, Kanye was able to be much more free creatively than by just using the sample alone. For example Adlam’s drumming is able to continue through the track sounding the same as the sample while new original elements are layered in the music in the place of the rest of the sample, or having Hal Ritson’s hammond playing behind the lead vocals, without the original Vanilla Fudge vocal remaining.

On the down side this might be the worst promo video I’ve ever seen (I have a musician’s over sensitivity to models miming instruments badly!). On plus side Kryder makes a banging club track and we did a good job of recreating the Dire Straits elements super accurately. Lot’s of great attention to detail on the research here as usual from using the exact same microphones and preamps used for the ‘knopfler’ and ‘sting’ voices, to downloading the correct DX1 presets, and of course capturing the unmistakable and unique guitar sound on this track.

Replay Heaven provided the sample replay for this Michael Jackson rework of P.Y.T (Pretty Young Thing) by John Gibbons

A house classic beautifully re-imagined here, with vocals from Replay Heaven.

We’ve done loads of work on the forthcoming excellent High Contrast album. We recreated the chorus vocal and 80s instrument elements for this new one.

One of our favorite and most extensive sample replays for a while here – recreating the entirety of Kate Bush’s Cloudbusting as sampled and reworked for the clubs by Just Us (formerly under the title “Every time it rains”). This sample replay required us to replay all 5 minutes of the sample involving an iconic vocal performance, live strings, Fairlight CMI samples and eventually a full choir, all recorded on vintage 80s equipment! All good fun.

Some of the most heartfelt and characterful recordings ever made are Alan Lomax’s legendary 20th century field recordings of folks and roots music from across america. For client Rene Amesz & Ferreck Dawn we recreated 2 of the prison blues songs they sampled. We faithfully use early 20th century vintage recording equipment to ensure the retro sound so critical to the samples is maintained.